Meet the Musicians


 
 


2018-2019 Musician Roster

First Violin

Netanel Draiblate
Concertmaster
David Katz
Associate Concertmaster
Thomas Yang
Assistant Concertmaster
Lori Ashikawa
Sylvia de la Cerna
Elaine Fohrman
Carl Johnston
Carmen Llop Kassinger
Clara Lindner
Paul Zafer

Second Violin

Paul Vanderwerf
Principal
Rachel Fisher
Assistant Principal
Charles Bontrager
Lisa Fako
John Ling
Pamela Lutter
Lisabeth McQuaid                          
Carol Setapen

Viola

Daniel Golden
Principal
Nicholas Mowry
Assistant Principal
Sally Didrickson
Mark Djordjevic
Scott Dowd
Christine Due
Kjell Sleipness

Cello

Steven Houser
Principal
Andrew Snow
Assistant Principal
Elizabeth Anderson
Mark Anderson
Barbara Cannon
Margaret Daly
Mark Lekas
Richard Yeo

Bass

John Floeter
Principal
Alan Steiner
Assistant Principal
Judith Hanna **
Julian Patrick Romane
John Tuck
Timothy Shaffer +

Flute

Lyon Leifer
Principal
Irene Claude
Janice MacDonald

Piccolo

Janice MacDonald

Oboe

Ricardo Castañeda
Principal
Deborah Stevenson

English Horn

Deborah Stevenson

Clarinet

Kathryne Pirtle
Principal
Dileep Gangolli
David Tuttle

 

Bass Clarinet

David Tuttle

Bassoon

Andrei Muravev
Principal
Collin Anderson
Peter Brusen

Contrabassoon

Peter Brusen

Horn

Michael Buckwalter
Principal
Jeremiah Frederick
Melanie Cottle
Emma Sepmeier

Trumpet

David Inmon
Principal
Chris Hasselbring

Trombone

Reed Capshaw
Principal
Audrey Morrison
Mark Fry **
David Becker +

Bass Trombone

Mark Fry **
David Becker +

Tuba

Sean Whitaker

Timpani

Robert Everson
Principal

Percussion

Deborah Katz Knowles
Principal

Harp

Tija Mujais
Principal

Piano

George Radosavljevic

Personnel Manager

Paul Beck

** musician on sabbatical
+ filling sabbatical position


Netanel Draiblate

Concertmaster

Mrs. Ellen Reid Eastman Chair In Memoriam

Netanel Draiblate

Get to know our new concertmaster, Netanel Draiblate!

Where are you from?

I was born in Tel-Aviv, Israel (1982), I decided to move to the United States at the age of 22.

When did you first pick up the violin?

I was six years old when I first picked up the instrument, I wanted to start at the age of five but my mother wouldn’t let me.

Tell us about your instrument.

I am actually in the process of buying a fantastic modern instrument, Made by Lukas Wronski, a Luthier in New-York. It is a copy of Paganini’s "Il-Canone” Guarneri violin, it is incredibly easy to play, has a lot of power and a warm sound. I hope to be finished paying for it and completely own the violin soon.

Who is your favorite composer?

Mendelssohn, hands down. His work, considered to be of the romantic era incorporates so many features of classical composers such as Mozart and Haydn but mainly the harmonic and counterpoint writing of J.S Bach. Mendelssohn was the one who re-discovered Bach’s music. 

How does leading an orchestra as concertmaster differ from performing as a soloist? Which role do you prefer?

This is a very good question, it really depends on the soloist/concertmaster. For me it is not that much different, Granted as a soloist you have a more pronounced part than the rest of the group however I try to play my solo pieces as a part of the orchestral fabric and not sway too far from it. I like both, I think a good balance of each can be quite healthy for a musician.


Jim Stephenson.jpg

Composer in Residence

Jim Stephenson

Leading American orchestras, instrumentalists, and wind ensembles around the world have performed the music of Chicago based composer James M. Stephenson, both to critical acclaim and the delight of audiences.  The Boston Herald raved about “straightforward, unabashedly beautiful sounds,” suggesting “Stephenson deserves to be heard again and again!”  A formal sense of melody and tonality characterize his music, each embedded in a contemporary soundscape.  These qualities, coupled with the composer’s keen ability to write to each occasion, have led to a steady stream of commissions and ongoing projects.

Most recently, Charles Vernon, Chicago Symphony bass trombonist, asked Stephenson to write a new concerto, a work to be premiered in their 2018/2019 season under the direction of Riccardo Muti.  A second bass trombone concerto will receive its orchestral premiere with the St. Louis Symphony and soloist Gerry Pagano, in 2017-18. “The President’s Own” United States Marine Band commissioned a symphony (the composer’s second in this genre) and will give the work its premiere in 2016 at the prestigious Midwest Clinic.  Additionally, Compose Yourself!, Stephenson’s landmark young-audience work has now been performed over 300 times since its creation in 2002, engaging children in New Zealand and Canada and across the U.S.

The Devil’s Tale (2013), a sequel to Stravinsky’s famous “Soldier’s Tale” has become a highlight of Stephenson’s extensive chamber music output, having already garnered much critical praise for its recent recording (“a most remarkable work” – Fanfare Magazine) and numerous performances at noteworthy venues such as Ravinia and Millennium Stage at the Kennedy Center.

James M. Stephenson came late to his full-time composing career, having performed 17 seasons as a trumpeter in the Naples Philharmonic in Florida.  As such, the composer is largely self-taught, making his voice truly individual and his life’s work all the more remarkable.  Colleagues and friends encouraged his earliest efforts and enthusiasm followed from all directions.  As his catalog grew, so did his reputation.  That catalog now boasts concertos and sonatas for nearly every instrument, earning him the moniker “The Concerto King” from Chicago Symphony clarinetist John Yeh.  The vast majority of those compositions came through commissions by and for major symphony principal players, in Chicago, Boston, New York, Philadelphia, Minnesota, Washington DC, St. Louis, Oregon, Milwaukee, and Dallas, among others.  A major break came from the Minnesota Commissioning Club, which led to two works (violin concertos) receiving premieres in 2012—by Jennifer Frautschi with the Minnesota Orchestraunder Osmo Vänskä and by Alex Kerr with the Rhode Island Philharmonic under Larry Rachleff.  Other international soloists for whom Stephenson has composed include saxophonist Branford Marsalis and trumpeter Rex Richardson, whose concerto has been performed on five continents.  With such prolific output, Stephenson’s music is well represented in recordings.  Nearly all of his solo brass works (over 50) have been professionally recorded, and in total, his extensive catalog for all instruments can be heard on over 30 CDs.

James Stephenson is also a highly sought-after arranger and conductor, rounding out his constantly busy schedule.  His arrangements have been performed/recorded/broadcast by virtually every major orchestra in the country, including the Boston Pops, Cincinnati Pops, New York Pops and more.  On the podium, Stephenson has led orchestras in Bozeman, Charleston, Ft. Myers, Modesto, and Wyoming, in addition to numerous concert bands.  With the Lake Forest Symphony, near his Illinois home, he has not only conducted but also has served for six years as Composer-in-Residence. His conducting debut with the Chattanooga Symphony comes at their 2016 Holiday Concert.

Jim originally hails from the Greater Chicago area, as does his wife Sally.  In 2007 the couple, along with their four children, returned to the region to pursue the life they now share.


AUDITIONS

Please contact Paul Beck (paul@lakeforestsymphony.org) for information regarding Lake Forest Symphony auditions.